Proposals for Reimagined Futures

The Global Ecological Crisis

In the ongoing degradation of habitat and species loss, in the fires of Los Angeles and Western Canada and in the 2024 global warming milestone of temperatures exceeding the Paris Agreement’s 1.5°C target, we see the consequences of a system that continually seeks to extract from nature.

We are at a critical point in human history in which we need renewed ways of thinking. A cross-pollination of disciplines and knowledge practices. Art that goes beyond commentary to become an active participant in real systems — contributions to the world that conserve resources, promote biodiversity and increase food sovereignty. 

Since 2021, I’ve been working toward this aim through research in land stewardship, bio-based materials, food sovereignty and circular design — exploring how these elements can be integrated into immersive artworks that reframe our relationship to the built environment and the natural world.

In my work, ecological function is the medium through which perception shifts.

The preliminary outcomes of these explorations are presented in a series of journals, collectively titled Proposals for Reimagined Futures, as concepts for immersive public artworks and as the first step towards their realization. 

Proposals for Reimagined Futures will be released over the course of several months and will be available in e-journal format for free download and sharing. At the end of this cycle, Proposals for Reimagined Futures will be printed and made available in a hardcover book format.

Volume 1
Mycelium/Void

How can architecture contribute to resilient and biodiverse ecosystems? Can we create structures that grow and decompose as an extension of the natural systems that sustain life on Earth?

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Volume 2
Tetrahedral Lens

How can we envision and create a world in which human-made materials are reused in new ways at the end of their life cycle? Tetrahedral Lens creates a call for innovation — one that evokes future possibilities through its crystalline surfaces and kaleidoscopic forms.

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Volume 3
Shifting Origins

In Shifting Origins, participants are presented with no clear way through. The work asks us to be more than passive observers and to take part in its evolution through time by amending the soil, nurturing a seedling and harvesting food. Through this engagement, Shifting Origins creates something greater than the sum of its components. Rather than building over the land, the work builds with the land — an immersion that nurtures all senses, creating a foundation for awareness that can be carried forward beyond the confines of the work.

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Volume 4
Blue Carbon

From limestone formed during the Archean Eon to the concrete-infused megacities of the modern era, Blue Carbon traces a journey spanning 2.7 billion years, inviting visitors to contemplate how Earth stores memory — in rock and in living organisms — and how the interplay between biology, geology and humanity will have profound effects on the future of our civilization.

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Volume 5
Otherground

Otherground is biomimicry, a deep-time echo of pioneer species responding to ecological distress. Speaking at once to the adaptive capabilities of organisms and the ingenuity of human technologies that nurture life, Otherground reflects on the Symbiocene and on renewed relationships between human and non-human life forms.

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Financial support provided by the Vancouver Biennale, the Edmonton Arts Council and the Buschlen Mowatt Nichol Foundation.